The death of the big-budget romcom has left most of the genre's biggest stars in a sort of career limbo. Sandra Bullock and Channing Tatum in a promo image for "The Lost City." The comedy comes to theaters in March. But in this thriller, the two worlds mix, with Lily Collins from the latter joining Jesse Plemons from the former for a kidnapping drama. Netflix's arthouse work like The Power of the Dog does not often mix with its populist trash like Emily in Paris. Hollywood has often put Rylance in strange supporting roles (see Don't Look Up for the most recent example), but The Outfit shows that the Oscar winner should be the lead more often, with his take on the character keeping you guessing about what's really going on until the very end. Mark Rylance stars as a mild-mannered tailor (or as he crucially calls his job, a "cutter") who gets caught up in a mob war. What if Phantom Thread was also a Hitchcockesque twisty thriller? That is the question that The Outfit asks of its audience. In other words, Looper if it had a heavy dose of family drama.
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And so Netflix's expectations are surely high for The Adam Project, a sci-fi movie in which a young boy must team up with the older version of himself in order to find their missing father.
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Ryan Reynolds' last collaboration with director Shawn Levy was Free Guy, one of the few movies in 2021 to be a success in theaters. Nevertheless, the streaming service is the only place to watch Pixar's latest, Turning Red, the charming-looking story of a young girl who turns into a red panda when she gets angry. Sebastian Stan seems to be putting himself in the latter camp with his transformational role as Tommy Lee in Hulu's Pam and Tommy and in the same streamer's Fresh, a dating satire in which Normal People's Daisy Edgar-Jones starts dating Stan, a man who may be a cannibal (make your own comparisons to other recent news stories about any other actors).įor some reason, many film fans have been left bemused by the fact that Disney has decided Pixar films will go straight to Disney+, despite having the sort of visuals that really benefit being seen on the big screen. Some actors use their Marvel prestige to try and launch themselves into other less well-advised franchises (aka RDJ and Dolittle, Tom Holland and Uncharted and Chaos Walking), while others like to use the safety net as an opportunity to take risks. If you like your science fiction less about the science and more about emotion (and if you prefer Ex Machina to The Matrix), this is one for you. Not since Wall-E has there been a film that will make you care this much about the soul of a robot.Īnd not only that, but the film has what is certain to go down as 2022's best dance routine. When that robot breaks down, Farrell's father character begins to learn things about Yang that totally change the way he views life.
Not only is he giving us what looks like a big performance as Oswald Cobblepot in The Batman, but he is also giving us much subtler work in this profound and moving sci-fi.Īfter Yang tells the story of a family who buy a robot to be the surrogate brother of their lonely adopted child.
The first week of March is going to be a busy one for Colin Farrell. Reviews are embargoed until February 28, but whatever critics say, this is sure to be one of the year's biggest films. Can he match up to Michael Keaton and Christian Bale? What is director Matt Reeves going to do with the character that has not been done before? And what accent did R-Patz land on after being told his first one was too ridiculous? All will be revealed soon when the new Bruce Wayne takes on Paul Dano's Riddler, Zoë Kravitz's Catwoman and Colin Farrell's Penguin. The Batman - March 4 (in IMAX from March 1)Īfter numerous COVID-related delays that not even the Caped Crusader could prevent, it's finally here: Robert Pattinson's take on Bruce Wayne. Robert Pattinson in "The Batman." The movie is set to be released in March 2022.
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